Beginning June 17, 2026, Retrospective presents a selection of photographs by Liudmila Velasco, a Cuban artist born in Moscow in 1969 who has lived and worked in Havana for most of her life and now pursues an independent practice. Trained at the San Alejandro Academy and shaped by decades within Cuba's photographic avant-garde, Velasco treats the image as a site of memory, where monuments, archive, and the everyday city are layered into meditations on time, utopia, and revolution. The exhibition arrives as a first sustained look back across that trajectory, gathering work made over more than thirty years, and reaffirms a photographic language defined by conceptual rigor, historical memory, and an enduring tension between the island and the sea.

Presented from June 3 to 13, 2026, Docile Metals and Memory brought together a new body of work by Leticia Sánchez Toledo, developed on metal trays found through Facebook Marketplace, Sunday flea markets, and secondhand venues. Once domestic objects associated with service, display, courtesy, and social ritual, these trays became in Sánchez Toledo’s hands a charged surface where material memory and affective memory meet. The series moved from the intimacy of the household toward a broader reflection on friendship, kinship, sociability, and the forms of Caribbean life shaped in the early decades of the twentieth century.

Amazonia, the solo exhibition by Julia O. Bianco, brought together a body of work developed through the artist’s sustained engagement with the Shipibo Indigenous community of the Peruvian Amazon. The exhibition combined watercolor and ink on paper, embroidered textile works, illuminated cyanotypes, and installation, articulating a visual meditation on medicinal plants, the Amazonian dieta —or samá in Shipibo— migration, family inheritance, and the ethics of reciprocity.